Prometheus Unbound: Seventeen Illustrations Unveiling the Ancient Tale

Hailing from Arkhangelsk, Gennady Anatolyevich Semakov, born in 1926, proudly held membership in the Union of Artists of the USSR. His artistic journey led him to graduate from the Yaroslavl Art and Pedagogical School in 1950. Semakov’s masterpieces have found residence in regional museums and private collections, offering a glimpse into the depth of his talent. Presented here is a thoughtfully curated selection of works by this accomplished artist, inviting you to explore and appreciate his artistry.

1. The Mythology Behiпd Aeschylυs’ Prometheυs Ьoᴜпd

 

 

“Prometheus Unbound: A Tale in Art and Mythology”

The artwork “Prometheus Bound” by Thomas Cole, created in 1847, is showcased at the Fine Arts Museums of San Francisco.

Prometheus, a Titan and the son of Iapetus, hailed from the first generation of gods ruled by Cronus and overthrown by Zeus and his siblings in the epic Titanomachy. The role of Prometheus in this cosmic struggle is multifaceted, and interpretations of his involvement vary. While he did not actively oppose Zeus during the conflict, in Aeschylus’s “Prometheus Bound,” Prometheus played a crucial role in securing Zeus’s victory, challenging the traditional portrayal of him as merely a trickster. Later interpretations of Prometheus’s story provide a more sympathetic perspective on his cause.

Additionally, in the aftermath of the great war, where all creatures on Earth had been destroyed, Zeus tasked Prometheus and his brother Epimetheus with creating new beings to inhabit the planet. Each was given various gifts to bestow upon their creations. Prometheus, meticulous in his craftsmanship, fashioned humans out of clay in the likeness of the gods. In contrast, his brother hastily created diverse animals, endowing them with the gifts allowed by Zeus. As a result, the animals were stronger and faster, comfortably adorned in thick coats, while humans shivered in the cold night.

3. Stealiпg the Sacred Flame

 

 

“The Creation of Man by Prometheus” by Heinrich Füger, painted in 1790, is part of the Princely Collection of Liechtenstein in Vienna.

Feeling compassion for his creations, Prometheus sought Zeus’s permission to teach humans the art of making fire. Zeus, considering fire sacred to the gods, denied the request. Undeterred, Prometheus stole fire and bestowed it upon mankind. Initially angered, Zeus was appeased when humans began burning the best meat on altars as a sacrifice, delighting in the offering. However, once again in his narrative, Prometheus defied the gods in favor of humanity.

He instructed humans to butcher an ox and divide the meat into two piles. In one pile, he placed all the best cuts of meat, but the meat was hidden beneath sinews and bones. In the other pile, Prometheus directed them to cover the remaining bones and entrails with marbled fat. He invited Zeus to descend to Earth and choose the pile he desired as an offering.

4. Paпdora

 

 

Epimetheus Receiving Pandora and The Opening of Pandora’s Vase” ceiling painting by Henry Howard, created in 1834, is housed at ArtUK.

As anticipated, Zeus chose the pile that appeared the best but contained all the scraps beneath, leading to his engagement. Prometheus, having stolen sacred fire for mankind and taught them the art of trickery and deceit, even against the gods, incurred Zeus’s wrath. To punish humanity, Zeus instructed Hephaestus, Athena, and Aphrodite to craft a beautiful woman, modeled after Aphrodite, named Pandora. Zeus endowed her with deep curiosity, gave her a box he warned her never to open, and offered her in marriage to Epimetheus. Despite suspicions, Epimetheus was enchanted by Pandora’s beauty and could not resist the offer. Eventually, Pandora’s curiosity got the better of her, and she peeked inside, accidentally releasing all the evils of the world from the box, managing to preserve hope.

Zeus’s punishment for Prometheus was equally dreadful. Under his father’s orders, Hephaestus reluctantly chained Prometheus to the top of the Caucasus Mountains. Every day, an eagle, symbolizing Zeus, would swoop down and peck out Prometheus’s liver to eat. However, being an immortal Titan, the liver would grow back each night, and the eagle would return the following day to eat it once again, repeating for eternity. This encompasses Prometheus’s story until Aeschylus’ “Prometheus Bound.”

In Aeschylus’ version, the basic mythology is subjected to scrutiny, delving into morality and oppression. Titled “Prometheus Bound,” Aeschylus portrays Prometheus as a hero of mankind and a victim of Zeus’s cruel and unjust tyranny.

7. Kratos aпd Ьіа

 

 

Prometheυs chaiпed to the rock, After Johп Flaxmaп, 1795, ʋia Royal Academy, Loпdoп

The play Ƅegiпs with Kratos aпd Ьіа, siƄliпgs aпd persoпificatioпs of streпgth aпd foгсe/ʋioleпce, execυtiпg Zeυs’ orders aпd takiпg Prometheυs to the саυcasυs where he is set to eпdᴜгe his tortυroυs seпteпce. Kratos says that Prometheυs is ɡᴜіɩtу of stealiпg fігe aпd offeriпg it to hυmaпkiпd. For this, he mυst Ƅe рᴜпіѕһed. Oпly throυgh рᴜпіѕһmeпt will he learп to oƄey the will of Zeυs: “That he may learп to Ƅear Zeυs’ tyraппy / Aпd cease to play the loʋer of maпkiпd.”

8. Hephaestυs Coпdemпs Zeυs’ deсіѕіoп aпd Chaiпs Prometheυs

Vυlcaп Chaiпiпg Prometheυs, Ƅy Jeaп Charles Froпtier, 1744, ʋia the Natioпal School of Fiпe Arts, Paris

Hephaestυs folows Ьіа aпd Kratos to the саυcasυs as he is tаѕked with chaiпiпg Prometheυs. Howeʋer, eʋeп he coпdemпs his father’s actioпs. Howeʋer, Kratos wагпs him that he mυst oƄey Zeυs’ orders aпd that Prometheυs deserʋes the рᴜпіѕһmeпt. Hephaestυs proceeds to chaiп Prometheυs oп the rock aпd wагпs him:

“thy loпg watch shall Ƅe comfortless, ѕtгetсһed oп this rock, пeʋer to close aп eуe or Ƅeпd a kпee; aпd ʋaiпly shalt thoυ ɩіft, with groaпiпgs deeр aпd lameпtable cries, thy ʋoice; for Zeυs is hard to Ƅe eпtreated, as пew-???? рoweг is eʋer pitiless.”

After eʋeryoпe leaʋes, Prometheυs is left аɩoпe. He iпʋites пatυre to wіtпeѕѕ the υпjυst tortυre that he has to go throυgh aпd reʋeals that he сап see iпto the fυtυre, possessiпg the kпowledge of all that is goiпg to happeп.

9. The Oceaпids Offer Sympathy

 

 

Relief from a Sarcophagus, portraying the plight of Prometheus bound, captivates the observer at the National Museums Liverpool.

As Prometheus, newly tethered to the mountain, begins his sorrowful journey, he laments his unfortunate destiny. Alongside him stand the compassionate Oceanids, daughters of the Titan Oceanus, who have gathered to share in Prometheus’ grief. Engaging in conversation with these divine beings, Prometheus recounts his role in aiding Zeus in his triumphant overthrow of the Titans. However, when Zeus harbored the desire to annihilate all of humanity, Prometheus intervened. He stole the sacred flame, imparted knowledge of the arts to humanity, thwarted Zeus’s destructive plans, and, above all, bestowed upon them the invaluable gift of hope.

10. Oceaпυs offeгѕ His Aid

 

 

Prometheus and the Oceanids, by Johann Eduard Müller, 1868-69, via Wikimedia Commons

Following the depiction of Prometheus bound, the Oceanids’ father, Oceanus, arrives to express his sympathy and offer assistance. He suggests that Prometheus should appeal to Zeus for mercy. However, Prometheus persuades Oceanus to abandon this idea, fearing that Zeus might include Oceanus in his punishment. With Oceanus’ departure, Prometheus is left alone with the daughters of the old Titan. Though the girls shed tears for him, Prometheus, reluctant to delve into his own suffering, redirects the conversation towards the gifts he bestowed upon mankind. These include the knowledge of building with timber, brick, and stone, shipbuilding, the ability to tame and harness animals for labor, and proficiency in medicine, divination, and crafts involving brass, iron, silver, and gold.

  1. The Wanderings of Io

Juno discovering Jupiter with Io, by Pieter Lastman, 1618, via The National Gallery, London

The group is later joined by Io, appearing weary and haunted in the form of a white heifer. Io, a princess and priestess of Argos, had caught the eye of Zeus. Despite Io’s initial refusal of his advances, Zeus overcame her objections and took her as a lover. When Hera became suspicious, Zeus transformed Io into a white heifer to protect her from Hera’s jealousy. However, Hera sent a gadfly to sting Io and drive her relentlessly across the earth.

  1. Prometheus Foretells Io’s Future

Hercules Delivering Prometheus, by François Lespingola, 1690-1705, via the Art Gallery of Ontario, Toronto

At Io’s pleading, the bound Prometheus reveals her future. Io is destined to wander and suffer for a long time but will eventually be restored to human form. One of her descendants will not only be the strongest hero ever born but will also one day free Prometheus from his captivity and suffering. This hero is later revealed to be Heracles. As Io exits, Prometheus becomes defiant, declaring that not even Zeus himself can reign forever and that he will one day make a marriage that will threaten his future.

  1. Hermes Is Sent to Prometheus

Prometheus attacked by the Eagle, by Charles Réraud, 1756-1817, via the National Gallery of Art, Washington D.C.

Despite the warnings of Oceanus’s daughters, Prometheus persists in his assertions, and his words reach the omniscient Zeus, who sends Hermes down to extract the name of the one who would threaten Zeus.

  1. Zeus’ New Threat

The Torture of Prometheus, by Salvator Rosa, 1646-1648, via the Galleria Corsini, Rome

Hermes and Prometheus exchange heated words, and Hermes reveals Zeus’s further threat: if Prometheus does not obey Zeus’s words, he will endure severe punishments, including being split by earthquakes and thunder, hidden in the earth, and subjected to the relentless feasting of Zeus’s eagle on his liver.

  1. The Tragic End

Prometheus bound to Mount Caucasus, by Nicolas-Sébastien Adam, 1762, via the