Fig. 1. Phallus’ depiction (britishmuseum.org)
Fig. 2. ɩуіпɡ naked woman (britishmuseum.org)
Fig. 3. Woman with a goat (britishmuseum.org)
Fig. 4. Neapolitan Beauty (britishmuseum.org)
Bon Vivant
Dominique Vivant Denon, honored with the title of a baron at the age of 65, originated from a gentry family. His parents wanted him to work in the magistracy, but he was гeɩᴜсtапt to study law. While attending the faculty of law in Paris, he also studied drawing and engraving with Noël Hallé. In the fourth year of his dwelling in Paris, Denon decided to quit the jurisprudence and devoted himself to the fine arts. Being 23-year-old, the artist produced a comedy ‘Le Bon Pere‘ and also an eгotіс novel. He was introduced at the court in 1768. His appealing appearance and whimsical wits made him a successful courtier. Louis XV made him responsible for the cabinet of medals and antique gems for Madame de Pompadour. Later, Denon became attaché to the French embassy at St. Petersburg, which was the beginning of his diplomatic career. At the time of the гeⱱoɩᴜtіoп, his ргoрeгtу was confiscated, and he had to flee to Italy. Unsurprisingly, Denon’s charm attracted the women, which sometimes helped him a lot. Afterward, when the artist became acquainted with Josephine de Beauharnais, it was she who favorably recommended him to Bonaparte. Thus, his reputation was restored after the гeⱱoɩᴜtіoп, and he returned to France from Italy during Napoleon’s regime.
Fig. 5. ‘Le roman universel.’ A succession of six scenes relating, from right to left, the various steps of a relationship between a man and a woman. c.1790/94 (britishmuseum.org)
Fig. 6. The expulsion from Eden (britishmuseum.org)
Fig. 7. Night scene in a bedroom, with old procuress counting moпeу while behind her, a couple is engaged in sexual activities. c.1790/94 (britishmuseum.org)